Posts filed under Work

Goodbye L.A. Hello H.K.

Filed in L.A. (Sept 2006), Travel, WorkTags: , ,

I'm back in Hong Kong, back home with my wife and our kids. It's great to be back although the trip back was a little sudden and rushed.

Before going to L.A., I was filming 寫意人生 at TVB. Because filming took longer than previously hoped, I had to delay my trip to L.A. until September 16. Furthermore, TVB had another series planned for which I would need to be back in Hong Kong by October 16 or earlier if possible. This placed strict limits on the time I could spend in L.A., but the trip was important to me; improving my singing technique is always on my mind; so I worked around the limitations as well as I could and left for L.A.

My time in L.A. with my teacher was fabulous. My teacher and I clicked immediately, as if we'd known each other for a lifetime and my learning was significant.

While in L.A., I received information from TVB that the new series was willing to guarantee six half-episodes of work for me. Previously, I had expected a higher guarantee. Six half-episodes is not a lot of work, and the series would still lock me down for six to eight weeks. It was then up to me to balance the potential benefit of staying with my teacher in L.A. for another four days against the possibility of losing my role in the new TVB series if they couldn't wait for my return.

Sometimes, it's that little extra time, that small extra push, that final extra effort, that makes all the difference. I felt this would be true for me during this trip and therefore decided to stay the extra four days with my teacher, four days because my teacher had to leave L.A. on October 19 to go to New York for the 17th Annual Cabaret Convention and various personal reasons.

On October 4, I sent an email to TVB informing them of my decision to stay in L.A. an extra four days, and that I would accept the new series if they could wait for me.

Those extra four days in L.A. turned out to be invaluable. With my teacher's help, I did something which will likely have significant consequences in the future, something that you will all learn about soon. I am absolutely confident that my decision to extend my stay was the correct one.

Two weeks after sending that email and two days before I planned to return to Hong Kong, I was sleeping soundly in my motel room (sleeping soundly was unfortunately very rare during my stay in L.A.). I had just finished my last cabaret workshop with my teachers and student friends and I was preparing for the inedible good-bye; happy nonetheless. My time in L.A. with my teacher had been wonderful and well worth the expense. At one-thirty a.m., I was awoken by the phone. It was my wife. TVB needed me back in Hong Kong by midday October 20, one day earlier than I was scheduled to return.

When we explained to TVB that I wouldn't be back in Hong Kong until October 20, they became upset. Understandable. Every time they plan any filming, a lot of people are involved; i.e., a lot of money. Trying to change anything for the sake of one actor is never a good thing.

I felt obligated to change my plans and leave L.A. immediately. I was moderately upset because I had informed them two weeks earlier of my plans to return to Hong Kong on October 20, but certain people at TVB are very talented at moving the blame to the artist. It was later discovered that an unfortunate misunderstanding at TVB resulted in my email being read but not forwarded to the relevant parties. Therefore, the producer of the new series was not made aware of my changed schedule.

Fortunately, I was able to suppress my feelings and think about the problem at hand logically. If I had reacted purely emotionally, I'd have stubbornly refused to change my schedule; partly out of defiance, and partly out of anger and retaliation at being manipulated. Instead, I realised and admitted to myself that my final day in L.A. did not contain anything essential to my trip. My last lesson with my teacher was to be a summary of what I had learnt and while valuable, it would not be indispensable. Other than that one-hour lesson, nothing else was planned for the day. It was therefore an acceptable trade-off to leave one day earlier (even though changing my flight would cost US$100 for which I would not be reimbursed).

At six a.m., I woke up and called Cathay Pacific reservations. We were lucky. There were available seats on that day's flight and I was able to move my flight one day forward. I was also able to reschedule my airport shuttle bus ride without financial penalty. Ten minutes later when my wife called from Hong Kong, I informed her of the situation and she was able to inform the TVB personnel who subsequently breathed a sigh of relief. Two hours later, I had packed all of my belongings and was ready to leave. I had just enough time to rush down to my teacher's home and say my final good-bye.

I caught a cab down to her home and asked the cab to wait for me outside. I couldn't afford to be late back to the motel. The airport shuttle bus was due to pick me up one hour later and I knew that it wouldn't wait for me should I be late. Cabs are few and far between in L.A. so it was better to have him wait for me than to try to call another one later on.

My teacher was getting ready for a special TV appearance; taking a shower and getting her hair styled. Ten minutes after my arrival, she came out to the living room to see me. It was difficult for both of us. We'd seen each other almost every day for a whole month and it was now time to go our separate ways. We had become great friends. Fortunately, the internet and cheap international phone calls from Hong Kong has made the world a much smaller place so we will never be far apart, and I believe that great things are destined for both of us.

From the motel, my ride to the airport went well. With me in the shuttle bus were several other Caucasians destined for China. Some of them had lived in China for two years and spoke Mandarin. It's always a happy thing to meet other non-Chinese who have taken the time and effort to learn one of the Chinese dialects. It's almost as if we belong to a special club.

The Cathay flight was delayed two hours, but that wasn't a bad thing. Because of the delay, we were each given a US$15 food coupon which I used to buy an authentic meat loaf meal and the last cappuccino I would consume at L.A.

The flight was painful. Fifteen hours in a seat just wide enough and with very little leg room (especially for anyone six feet tall or taller) is very difficult to endure. The movies are ok but not great. The Cathay video system is still the older one where you have to wait until all the movies have finished before you can begin to watch the next movie and there is no pause/rewind/fast-forward functionality. Additionally, when the person in front reclines their seat all the way down, the cheap LCD monitor with limited wide-angle visibility is lowered so far that it's almost impossible to view. If I was five foot eight inches tall, I'd probably be ok, but I'm six feet tall and I almost broke my neck trying to view the monitor. Japan Airline's video system is soooo much better.

The next day at two p.m., I was on location in Fenling 粉嶺 shooting my first scene from the new TVB series 獄焰驚情, almost feeling as if I'd never left Hong Kong.

Everything was back to normal, everything except for one thing: I was now a better person, an improved person because of the knowledge and talent passed on to me by a very special one-of-a-kind teacher. Thank you Peisha!

On vacation?

Filed in L.A. (Sept 2006), Music, Travel, TVB (H.K.) 香港無線電視, WorkTags: , , , ,

It's been a while since I've posted any articles here, but you can be sure that I'm still here, and you can be absolutely sure that I've read every one of your comments, even if I haven't responded. And I appreciate the comments. Even if it's not obvious, your comments are important to me and provide an important source of support.

In the time I've 'been away', I've filmed a new series at TVB. The name of the series is 寫意人生 and I'll talk more about that in a later article. It was a pretty busy part, including two sessions of five nights of continuous studio filming involving nine to eleven hours of filming each night.

Strange and interesting things have happened in the least few months. Perhaps the most important event is my decision to go back to Hollywood for more training, this time for singing ;-)

From September 21 until October 15, I'll be in Hollywood, taking daily singing lessons with a teacher who I have come to know by chance. I'm nervous, apprehensive and excited all at the same time. Daily lessons will be tough. It's also difficult to know how much I'll learn during my stay there, but it's possible that I'll make a break-through in my singing technique (two break-throughs would be better) and that would make me the happiest guy alive, if only for just a short while until I begin fighting for the next break-through.

In my lifetime, I've known a few singing teachers. I had two teachers in Australia when I was small but those teachers did nothing for me. I had another teacher here in Hong Kong and she did nothing for me either. I even had a few lessons with the incredible Roman 羅文 but learned very little even though I enjoyed my time with him.

Not every teacher is right for every student and finding the right teacher for you is normally hit-and-miss. I was lucky. After having had so many not-so-helpful teachers, I finally met one who helped me a lot. 鮑老師 took me on as a student after I was introduced to her by another of her students/fans. She took me on even though she was retired. After teaching for more than 20 years, she just wanted to relax and enjoy herself, but she took me on anyway, and I learnt more from her than from any other teacher I'd had. I only had the occasional lesson with her but every lesson was full of information and techniques which required time to absorb, understand and practise and over the three years or so that I studied with her, my singing improved immensely. I'll never be able to thank her enough.

But you can't learn everything from one teacher and a few months ago, I decided it was time to take the next step and find my next teacher.

It was difficult. Finding the right teacher is a case of chance. Only one of my friends has ever had singing lessons and she wasn't enthusiastic about the teachers she knew. Historically, I feel that there are many 'self-qualified' teachers in Hong Kong who either developed their techniques themselves or became singing teachers because they themselves were successful singers. Neither qualifies these people as real teachers and I felt that it would be difficult to find what I needed here in Hong Kong.

I should emphasise though that this situation of 'self-qualified' teachers exists all over the world, ironically possibly more in Hollywood than anywhere else.

In any case, I was considering finding a new singing teacher; possibly in the U.S.A.; when out of the blue, I received a phone call. A director in Hong Kong wants to stage an English musical here next year, and he wants me to star in it!!! As far as I was concerned, that was the sign that my decision to go to the U.S.A. to study singing was the right one. If I was going to do well in the musical, my singing would need a lot of work.

I have more than a few problems with my singing. My biggest problems are that I know very few songs, that I get extremely nervous in front of an audience, and that my voice gets raspy after the second or third song.

I have been working on the first two problems by going to a local karaoke three times a week. The more I sing and rehearse the songs, the easier I'll remember them, the better I'll sing them and the more confident and comfortable I'll be in front of a crowd.

My karaoke sessions are very unusual. People often ask 'how can you sing by yourself for 2 hours?'. It's easy actually. I love singing and when I find a song that entrances me, I will sing that song four, five even eight times before moving on to the next song. I do not get bored repeating the same song over and over again although I'm sure anyone else in the room would. Some of the songs on the top of my list are 你把我灌醉, 該不該, , , 愛如潮水 and 愛如刀割. One day, I'll have enough for a concert ;-)

The karaoke sessions have also helped with the raspy problem. Singing for two hours three times a week helps to strengthen the voice but I'm also looking forward to my lessons in Hollywood where my technique will be further improved and I'll be able to sing better for longer.

Anyway, you can look forward to more updates on my blog. While in Hollywood, I will probably have lots of free time, time that I'll use to learn more about the basics of music and music theory, work on a pet proposal of mine, and write more for my blog ;-)

In the meantime, I've encoded and uploaded my guest performance in the Teresa Tang 50-year Memorial concert, held at the Cultural Centre in Hong Kong in 2003. I hope you like it, and hopefully I'll have more clips for you in the future.

The Road to Acting

Filed in Entertainment Ind., TVB (H.K.) 香港無線電視Tags: , , , , ,

Coming Monday (June 12, 2006) is going to be a busy day for me. I have three separate appointments, all of them relatively important, but the one that I want to point out to all of you; at least for now; is the one that begins in Central at 8pm.

I frequently get email messages and comments from readers who themselves dream of becoming famous actors or simply would like to be in the business, whether famous or not. I'm working at TVB simply because I'm lucky. There's nothing else to it. So what about other budding actors out there?

I would recommend two things.

Hong Kong Actors Meetup

For all of you who want to be in the business, whether as a director, actor, script writer or something else, I strongly suggest that you join the Hong Kong Actors Meetup. It's a group of local people wanting to work in the entertainment business, and almost everyone in the group is enthusiastic and ready to go.

Hong Kong already has an actors guild; the Hong Kong Performing Artists Guild; but it's limited in what it can do. In my experience, it's pretty much made up of actors who hope that the guild can find work for them. Enthusiasm is almost non-existent and the guild has been unable to help local actors in any significant way in the entire time that it's been in operation. That's not to say that the leaders haven't done anything. They've all worked extremely hard, but for one reason or another, nothing really helpful to actors or productive ever came out of the guild.

The film and television industry in Hong Kong is a very small circle. It's a very tough circle, extremely difficult and costly; in terms of time and effort; to become a part of. Even sleeping with the director will not guarantee you a part let alone success.

Personally, I don't think the future of Hong Kong's film and television lies with this circle. It lies with a new circle, one to be created by the members of the Hong Kong Actors Meetup group. Enthusiasm is the key, enthusiasm that you find in college students, or people with stars in their eyes walking through the studded but old and decrepit streets of Hollywood (yes, decrepit. I know. I've been there).

So if you really want a chance to be part of the film and television industry, if you want to be someone who contributes to the future here in Hong Kong, whether you're Chinese, Caucasian, African, Mexican, Japanese, or whatever, then join the meetup group and get yourself over to the meetup meetings.

Next Monday night at 8pm, there will be a meeting on the roof of the The Fringe Club (2 Lower Albert Road, Central, tel 25217251). I'll be there; although probably a little late; so hopefully we'll see each other. Shout if you see me ;-)

TVB (Hong Kong)

If you're a foreigner with Cantonese talents, you might take a crack at TVB where I work. If more of you work at TVB, I'll probably get less roles to perform but that's ok.

Cantonese is imperative if you want to work at TVB; preferably speaking and reading but speaking alone will do if your spoken Cantonese is excellent. Acting training/experience is also preferable.

So if you think you're ready for the TV screen and have what it takes, write down your resume and send it to TVB at:

Talent Department
TVB City
77 Chun Choi Street
Tseung Kwan O Industrial Estate
Tseung Kwan O
Hong Kong (if you're mailing from outside of Hong Kong)

Include at least one photo in your application. Most importantly though, make sure to state in big friendly letters at the top of your resume that you speak (and read) excellent Cantonese. Only then will the talent people take the time to read through your resume.

Good luck people, and have fun.

Just finished filming: TVB’s 刑事情報科.

Filed in TVB (H.K.) 香港無線電視, WorkTags:

I've just finished filming 刑事情報科 at TVB. My role was a police inspector in a special branch of the police force which specialises in getting information about suspects. There were several groups in our department. My group was responsible for tracking people and getting photographs of their activities. Overall, the story was pretty good.

Two months of filming, I had just one day of on-location shooting and fourteen days of studio shooting. Because the police station set is so large, it takes up the whole studio and whenever it's set up, we have to try to film as many scenes as possible. The later days of studio filming were quite challenging, more often than not shooting from 7 at night until 5 in the morning. I'd get back home at around 5.30 to 6 in the morning and then wait until my wife got up for work so that I wouldn't disturb her sleep. Staying up all night really hurts and you spend much of the next day walking around like a zombie; limbs feeling loose and numb and a brain that doesn't want to work.

Most of my parts in the TVB series are very small, just a few scenes, so it's rare that I get to spend so much time with other cast members. This time was different and it was great. We the cast spent a lot of time working and waiting together.

Some people have emailed and asked me with which other actors at TVB am I most familiar. Those would be the actors I 'grew up with' at TVB. You probably don't know most of them. They include 林家棟, 黃德斌, 麥嘉倫, 游飆 and 王維德, all dedicated people. There are many other wonderful people at TVB that I respect and enjoy working with. In fact, there are too many to list. TVB has given me a lot in the last eighteen years. The opportunity to know and work with these people is just one of the things they've given me and I'm grateful for that.

TVB’s 潮爆大狀 is on.

Filed in TVB (H.K.) 香港無線電視, WorkTags:

TVB's 潮爆大狀 is on. From memory, it was filmed late last year. My part is very limited but if you'd like to leave a comment about the series, you can do so here ;-)

One thing of interest to those of you learning Cantonese perhaps is that most of my dialog in this series (all three scenes or so) was in Mandarin. One of my scenes where I promised work to the leading lady 唐寧 was not performed very well because I was struggling with the Mandarin dialog. Acting in a second language is quite a challenge. It took me 15 years to get accustomed to acting in Cantonese. Hopefully, it won't take long to do the same in Mandarin.

I wonder if the stock market will fall in the coming weeks? It is said that every time one of 鄭少秋's series is broadcast on television, the stock market falls. It'll be interesting to see if it happens again this time.

Hope for a better Asian film/television industry

Filed in TVB (H.K.) 香港無線電視, WorkTags: ,

I've been filming 刑事情報科 at TVB over the last four weeks or so. Before we began filming the series, there was much enthusiasm and a meeting with the head script writer to ensure that we all knew what direction the series was taking and how we were to act our parts. The idea for the series was relatively new and we were pretty excited about it.

Unfortunately, one of TVB's annoyances popped up for this series; late scripts. For almost every shooting so far, we've received our scripts via fax on the day before shooting. For me personally, this is just enough time to get familiar with the dialog and be able to play the part reasonably ok. It is not enough time to fully understand what might be going on within the scene and within the dialog, and then being able to make decisions about alternate methods of acting the scene.

Luckily for TVB, they have a lot of talented people working for them including directors and assistant directors who have to work out what people and props they need for each scene with only just a little more time than we the actors have available to study the scripts. TVB also has capable actors and actresses who have learnt to deal with the stressful schedule and produce extremely good performances under the circumstances. The result is television series which are acceptable and occasionally exceptional.

The truth though is that many of us; actors, actresses, directors and the script writers; would like to be producing higher quality content. We are limited in our efforts though by a corporation whose goal is to make as much money as possible, producing audience-acceptable content for as little money as possible. TVB can afford to do this because in the world that we live in, TVB is pretty much the only mass producer of Cantonese-language television content. For all I know, they might even be the only mass producer of Chinese-language content for audiences outside of China. That makes them a powerful corporation and so far, no other corporation has been able to compete with them.

In Hong Kong, piracy and monopolies have almost killed the film and television industry. There are loads of talented people who could produce quality content but there are limited options for the distribution and sale of that content. I truly believe though that there is still hope for the industry.

The key is to loosen the stranglehold that the monopolists have on the distribution of video content. When there are more places to buy and view Hong Kong-made video content, there will be a higher demand for that content and there will be more opportunities and work for the people in the industry. The internet is the key.

We need one or more (preferably more) internet companies similar to NetFlix, iTunes and Amazon that allow people to purchase, download and view television and movie content. We need internet companies that accept content from independent producers, who fairly compensate the producers for their work, and most importantly allow access to that content from anywhere in the world; i.e., no virtual geographical boundaries to protect the old regime of distributors.

iTunes is already selling Hollywood-made television content in the U.S.A. It can be done. Unfortunately, iTunes is not available in any Asian country except Japan because the markets are relatively small and because Apple cannot establish reasonable terms with the record companies and distributors in these countries. Without access to audio content, Apple is not likely to open up iTunes stores in Asia simply to provide video content.

You might ask why we need iTunes to distribute our television content. Part of the answer is protection of the content. Let's be frank. If we in the industry work hard to produce a great television series only to sell one copy and see it get pirated throughout China and Asia, what's the point? The content would definitely have to be protected. For the moment, that means either Apple's FairPlay DRM system or Microsoft's Windows Media DRM system. Apple's FairPlay is the only one that runs on Apple's iPods. Apple's FairPlay also runs on all Apple Mac computers and most of today's Windows computers. In contrast, the Windows Media system only runs on Windows computers and non-iPod portable devices designed specifically to be compatible with the Windows Media system. It doesn't run on Mac computers or iPods. FairPlay would therefore be the logical and ideal choice of DRM systems. The problem is that Apple doesn't license its FairPlay system to anyone else to use. If you want to produce anything in FairPlay format, you have to sell it through Apple's iTunes stores, but since iTunes is not available in much of Asia, there's no point in using the FairPlay system. Sigh!

For the moment then, it would be very difficult to find or set up an ideal online store for television and movie content available to anyone in Asia or the rest of the world interested in Asian video content.

However, let's assume just for the moment that it is indeed possible to set up such an online store and somebody actually does it. What might happen as a result?

First, there would be incentive to write and produce quality content because presumably, the better the quality, the larger the audience. You would also be competing with other content producers so you'd try to make your content better than theirs to compete for the audience's money.

Second, because the market would no longer be controlled by big corporations like TVB and the film distributors, all content producers would have an opportunity to sell their content. It would be a fair and open market (although the larger corporations would assuredly have much more marketing money to spend). Consequently, there'd be more work for everyone in the industry.

Furthermore, I'd like to others in the industry to consider this for a moment. What does it take to record television content in terms of equipment? Today, filming and editing in DV video is relatively inexpensive.

I'd therefore suggest to enthusiastic members of the film and television industry that they work together to produce the new content and reward themselves accordingly with dividends similar to those used in Hollywood. Currently, people who work on Hollywood television series get paid when the series goes to air, get paid again when it gets re-aired, get dividends when the series gets released on VCD and DVD and so on and so on. If the series is a good one, people involved in the production of that series can expect a decent income from that series for years to come. In Hong Kong, it's a completely different story. There are no unions and no dividend systems. We as actors get a small payment for our work in the television or movie production and then never see another dime even if the product sells a million DVD copies and gets re-aired on cable and satellite television 100 times.

With guaranteed access to one or more online content distribution stores, a group of like-minded enthusiastic people could work together and produce a television series with very little immediate budget. In exchange for their "work now, earn later" agreement, they could establish a dividend system similar to the one used in the states where they each get a piece of the online sales of the television series. With such incentive and the promise of unlimited markets, these people would work hard to produce the best content they can and over time create a reliable source of income for them as they do the work they love.

In time, established leaders in the industry including well-paid actors, actresses, directors and writers, would see the incomes being made by the people using these dividend systems and insist on getting the same treatment in their own productions. Given a few more years, the whole industry would finally be in a situation where the quality of most video production is high and the profits of those productions are fairly distributed among the people involved in making them. (Noting of course that there will always be the low quality cheap productions and there will always be actors and actresses willing to trade their dividend rights for what might be their lucky break.)

How much time would this take? I'd guess approximately ten years would be required before almost all essential people in the industry demand shared profits. There would be hiccups along the way, and there would probably also be pressure; both legal and illegal; from the large corporations to limit the progress of such an industry trend. Marketing costs would also make it difficult for new companies to make their productions known and successful. That said, the overall result would be well worth it for everyone involved including the audience who gets a much larger selection of content to choose from, and a much higher quality of content.

Everything depends on the availability of online stores able and willing to resell the video content, and on the availability of one or more DRM protection systems, able to produce protected content that can be played by most people. For my money, that's Apple's FairPlay; playable on Apple Mac computers, Microsoft Windows computers and iPods.

(By the way, if France succeeds in forcing the legalising of reverse engineering DRM systems like FairPlay, many content producers are going to reconsider selling their content on the internet. It will eventually be a big loss to television and movie audiences the world over.)

I wonder what Apple has planned for the future? Licensing FairPlay would be nice ;-)

TVB series. They’re special too.

Filed in Hong Kong, TVB (H.K.) 香港無線電視Tags: , , ,

With reference to the TVB soaps, there are a few things I feel I should say, especially after reading the comments to my previous article Hail Hollywood TV.

First. Most of the main actors and actresses are really very good at what they do. Working for TVB is not easy, especially for them. While filming any one series, the average main actor works 18 hours a day and sometimes more, averaging perhaps just 2 or 3 hours of sleep a night. Between scenes or between showers, they have to read their scripts, understand what's going on and work out how they're going to act the scenes. They carry their own scripts around with them (these days usually in an aircraft hand-luggage suitcase on wheels), remember what clothes they wore for each scene and do lots of other stuff that the actors in Hollywood never have to worry about. It is also not unusual to get the scripts only hours before the scene. That makes it very hard for the actor and there's nothing they can do to change the situation.

When working on location, the meals provided by TVB are usually low-cost rice boxes, usually Chinese BBQ assortments so that everyone will have something acceptable to eat, occasionally something a little more special like 茶餐廳 spaghetti. No seating is provided so the actors either eat in the minibuses or sit on any available surface while eating. Actors in Hollywood get buffets.

At the same time, the actors and actresses still have to master the politics of working for the dominant television company, making sure that they're friends with the right people and don't tick off the wrong people. Rumors includes gifts to higher ranking personnel and sometimes other more personal things. These artistes, as a friend of mine calls them, work damn hard. They're worth much more than they're paid by TVB. If they worked this hard in Hollywood, they'd be USD millionaires. Unfortuantely, their contracts make it extremely hard to work with non-TVB productions so it's very difficult for them to make decent money outside of TVB. Occasionally, they'll get one or two well-paid commercials to supplement their incomes.

Incidentally, there is no such thing as residuals in Hong Kong so the actors and actresses make nothing out of a series if it's re-broadcast anywhere in the world or if it sells on VCD or DVD.

Second, the TVB series are never going to compare in terms of quality to those made in Hollywood. TVB is the dominant television station here and no other television company can compete. The audiences crave non-stop for new series and TVB doesn't buy series if they have a choice so they make series non-stop as fast as they can, but there's no competition, so the quality doesn't need to be great; just acceptable. The actors have no time to prepare for their scenes so you'll rarely see their full acting potential. The writers never have time to contemplate the scripts so you'll never see their full potential either. The directors and their assistants rarely have time for sleep and are as fabulous as anyone else could be under the circumstances.

Third, Hong Kong people are different. The daily pressures of work (with super-human requirements and usually more overtime than is healthy), travel, crowding, pollution and mortgages means that they don't want to think when they watch tv. Hence, many Hong Kong people really enjoy the non-intellectual TVB series. I remember hearing one couple tell me how much they loved to watch a show on TVB just before they slept. To me, the show was garbage with corny scripts and extreme over-acting, but to this couple, it was just what they needed to get a good laugh and put the daily pressures out of their minds before sleeping. I'm pretty sure that TVB knows what the audience wants most of the time. In this respect, there are a few actors at TVB who are really good as making the audience laugh and I think they're a valuable asset to TVB. One that immediately comes to mind is 梅小惠. She's one very clever girl.

So while Hollywood productions are obviously better than TVB productions in many aspects, there are still many things about TVB series that deserve respect. For many people, Hollywood series will be the preferred choice. For others, TVB series will do more to brighten their lives if even just a little and that makes them worthwhile.

One last thing. Within Hong Kong are many many very talented actors, actresses, directors, writers, camera-men, lighting technicians and others related to the film profession. With the right opportunities, without a doubt, they could create films and television shows equivalent to those produced by Hollywood. Unfortunately, the market was damaged by greedy members of the profession who wanted to make a quick buck. The market was also damaged by piracy, initially by protected powerful syndicates in China and now also by various internet technologies. Without a market, these talented people can do nothing. My hope is that the internet will change this situation soon, that new online markets will emerge allowing Hong Kong-made film and television to be sold and seen all around the world. The introduction of video to Apple Computer's iTunes store may be the beginning or a new era in television and film distribution. I hope so. I truly want to see Hong Kong's film and television industry thrive again soon. The world of film wouldn't be the same without it.

Hail Hollywood TV!

Filed in WorkTags:

Most actors dream of being in the movies. For years, television was considered inferior to movies and actors were classed accordingly. Of course, with soap operas such as Days of our Lives and Daily Hospital, this classification was understandable. These however were not the kind of television productions that we're seeing today, at least from the good ol' USA.

The television episodics now coming out of Hollywood and Canada are superb. The acting, scripts, directing, camera, special affects; it's all amazing and easily challenges anything you'll in the cinema. In fact, I believe that some of the current television series would beat today's movies in a face-off.

Television series that have me captured include Smallville, Medium, NCIS, Las Vegas, House, Lost, Numb3rs, Prison Break, The 4400, The Closer and Veronica Mars. New series that I find intriguing include series from the latest alien invasion trend including Invasion and Surface. It'll be interesting to see how Threshold develops too.

There's also another trend of television series focussed on the spirit world including Medium and Point Pleasant, and new series such as The Others, Supernatural and Ghost Whisperer. Vampires seem to be old hat and out of fashion these days although Buffy will always be one of my all-time favourites.

People watching television in the USA are beginning to find themselves in the difficult position of having to choose some television series at the cost of not being able to watch others, or leaving their Tivos on 24 hours and hope that they have enough time on the weekends to watch all of the incredible series now available to them.

Which actor wants to be in the movies when you could be in one of these amazing television series? I'm jealous of those actors lucky enough to be there in the middle of this new era of television productions. Unfortunately, here in Asia, television series are still in the Days of our Lives era with mediocre scripts, story lines, film sets and schedules (at TVB, we frequently don't get our scripts until the day before filming). Without any real competition or access to larger markets, I don't think we'll see any advancement in the quality of the series for some time to come.

If competition develops for the local television markets, it won't come from local productions. It'll be the Hollywood productions. Even though the productions are in English, even though viewers may have to read subtitles, the quality of those productions is now so high that people may begin to watch them in preference to locally made ones. If so, one of two things will happen. Either local productions will step up to the plate and improve the quality of their work, or the whole industry will collapse and recede just as the film industry has. As great as Hollywood television is, I personally hope that local productions accept the challenge and improve their work. Only then will we continue to have true variety in what we can watch on television.

Will local television productions get squashed out of existence? Only time will tell.

In the meantime, if you're a casting director in Hollywood and need an actor for a new TV series, please drop me a line.